The Correlation Between Art and Death in Willa Cather's Lucy Gayheart: Fatality of Art or Artistic Failure

Authors

  • Baker Bani-Khair The Hashemite University
  • Ziyad Khalifah Alkhalifah Qassim University
  • Mohammad Hilmi Al Ahmad Isra University
  • Majed Abdul Karim Isra University
  • Mahmoud Ali Rababah Al-Balqa Applied University

DOI:

https://doi.org/10.17507/jltr.1501.35

Keywords:

artistic accomplishments, baffled possibilities, fragmented psyche, romanticized, women

Abstract

This study explores the representation of art in Willa Cather's Lucy Gayheart (1935), which is viewed as an essential aspect of the novel in terms of its vitality and dominance. The novel subtly yet persistently invokes new possibilities for general human behavior and supportive interconnectedness among women. As the female experience looms large in Cather's fiction, Lucy Gayheart illustrates the dangers of presenting women in a romanticized, ethereal light. However, the present paper intends to prove that Cather's attempt at romanticizing her heroine's stance leads to a war between artistic accomplishment and acquisitive spirit. Through examining Cather's Lucy Gayheart, this paper contends that women's perplexed possibilities are a miniature of the fragmented psyche that pervades Cather's work.

Author Biographies

Baker Bani-Khair, The Hashemite University

Department of English Language and Literature, Faculty of Arts

Ziyad Khalifah Alkhalifah, Qassim University

Department of English Language and Translation, College of Science and Arts in ArRass

Mohammad Hilmi Al Ahmad, Isra University

English Literature

Majed Abdul Karim, Isra University

English Literature

Mahmoud Ali Rababah, Al-Balqa Applied University

English Language and Literature Department, Irbid University College

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Published

2023-12-31

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Section

Articles